Brazilian film “I’m Still Here,” directed by Walter Salles, has won multiple international awards, including the Goya 2025 for Best Ibero-American Film. The film garnered the Audience Award at the Rotterdam Film Festival and actress Fernanda Torres received the Virtuoso Award in Santa Barbara. Since its November 2024 release, it has attracted over 4.1 million viewers and has three Oscar nominations set for March 2.
The Brazilian film “I’m Still Here,” directed by Walter Salles, continues to gain international acclaim, recently winning the Goya 2025 award for Best Ibero-American Film in Spain. This historic win marks the first time a Brazilian film has won in this category. The film also won the Audience Award at the Rotterdam Film Festival and actress Fernanda Torres received the Virtuoso Award at the Santa Barbara International Film Festival.
At the 39th Goya Awards, “I’m Still Here” was up against competitors from Argentina, Uruguay, Chile, and Costa Rica. Director Walter Salles expressed gratitude via a letter read at the ceremony, dedicating the award to Brazilian cinema and highlighting the film’s focus on family memory during Brazil’s military dictatorship.
Since its release in November 2024, the film has attracted over 4.1 million viewers in Brazil, becoming the fifth highest-grossing Brazilian film with earnings of BRL 85.41 million. It has received three Oscar nominations for Best Picture, Best Actress, and Best International Film, with the ceremony set for March 2, coinciding with Carnival Sunday.
President Luiz Inácio Lula da Silva celebrated the film’s Oscar nominations, praising its representation of Brazilian resilience. He extended congratulations to the film’s team, emphasizing the importance of their recognition on a global stage.
In addition, “I’m Still Here” won the Best Screenplay award at the Venice Film Festival and has been recognized with an array of audience awards in various international festivals. The film tells the poignant story of Eunice Paiva, whose family sought the truth after the disappearance of her husband during the military dictatorship, embodying a broader struggle for human rights and historical truth.
In summary, “I’m Still Here” has established itself as a landmark in Brazilian cinema, achieving significant recognition through various international awards and nominations. Its powerful narrative resonates with audiences and critics alike, underscoring themes of memory and human rights amidst political turmoil. The film’s commercial success and recognition by prestigious bodies highlight its impact on both national and global cinema.
Original Source: www.gov.br
