In Damascus, cultural life is rebounding following President Assad’s ouster. Hundreds recently celebrated with music and dance, reflecting newfound artistic freedoms under HTS’s rule. The government encourages various art forms and cultural heritage while attempting to balance traditional Islamic values, leading to an overall cautious optimism among artists. Key figures stress the importance of cultural expression amid ideological shifts.
On a winter night in Damascus, hundreds gathered in the Old City to celebrate with music and dance, marking a cultural revival sanctioned by Syria’s Islamist authorities. Mahmoud al-Haddad, a singer, expressed initial fears over whether concerts could proceed under the rule of Hayat Tahrir al-Sham (HTS), a group formed from al-Qaeda roots. After President Bashar al-Assad’s ousting, HTS encouraged cultural expressions, surprising Haddad with assurances of support for his concerts. The new administration, recognizing the importance of art, allowed various art forms to flourish once again.
Anas Zeidan, an official overseeing museums, emphasized the government’s support for artistic endeavors, stating, “The government is not against art. The government encourages art. Art is part of humanity.” Events such as exhibitions and performances from the National Orchestra signaled a re-emerge of cultural events after a period of suppression. HTS aimed to establish a moderate governance style, blending Islamic law with the cultivation of cultural heritage.
Since HTS took control, there have been mixed messages regarding the future of cultural and artistic expression. While emphasizing Islamic identity in schools, some secular individuals expressed concerns about the possible rise in intolerance, evidenced by incidents like a Christmas tree being burned. Nevertheless, incidents were often publicly condemned by HTS, urging a balanced approach towards minority rights.
HTS’s leader, Ahmed al-Sharaa, who became interim president, pushed for a more inclusive government stance, avoiding policies that would alienate both the local population and the international community. Experts predict that while some hardliners may resist cultural activities, widespread prohibition seems unlikely under the new authority. The move towards moderation reflects a broader trend amongst Islamist groups in the Arab region.
Artists like Sara Shamma noted mixed feelings at the onset of HTS’s rule, fearing a decline in creative freedoms. However, she remains hopeful, citing her exhibit at the National Museum, demonstrating resilience in artistic expression amidst sociopolitical changes. HTS’s initial relaxed stance on artistic activity suggests a more pragmatic approach to consolidating power.
Critics, such as Aaron Zelin, recognize HTS’s need to navigate societal acceptance. The balancing act between traditional norms and the need for maintaining cultural expressions will shape their authority in the coming years. Questions remain whether they will later restrict artistic freedoms along more conservative lines or maintain their current trajectory of acceptance.
Syria’s cultural landscape is experiencing a resurgence post-Assad, with HTS fostering a controlled yet encouraging environment for artistic expression. While some fear potential backtracking on cultural freedoms, the current leadership’s moderate approach suggests a likely continuation of artistic activities. Artists are cautiously optimistic, seeing in recent events a chance for growth and expression amid shifting political ideologies.
Original Source: www.usnews.com
